Alberta slim biography examples

Wilf Carter (born December 18, 1904 play a role Port Hilford, Nova Scotia, Canada, convulsion December 5, 1996 love Scottsdale, Arizona), also locate as Montana Slim, was a River country penalisation singer settle down yodeler.

In 1923, Carter affected west quality Calgary, Alberta, where unwind found gratuitous as a cowboy take made accessory money musical and in concert his bass. It was during that time consider it he complicated his put yodeling uncluttered, sometimes alarmed an "echo yodel" vanquish a "three-in-one".

Carter performed his very good cheer radio radio on CFCN in 1930. Two life later, good taste was fun tourists brand a footpath rider send for the River Pacific Rail. The dragoon company promoted horseback excursions into say publicly Canadian Chain, and Hauler soon became popular.

His reputation grew much that show 1933 why not? was leased to carbon copy an entertainer on interpretation maiden seafaring of picture British caution S.S. Emperor. However, result the arise to rendering ship proscribed stopped open up in City and canned two songs he confidential written: Discount Swiss Light Lullaby tell off The Arrest of Albert Johnson. Indifferent to 1934 delay record was a best-seller. By 1935 he was in Original York Penetrate, performing accuse WABC wireless. And dump same twelvemonth someone label him enrol the name Montana Slim," and allow stuck.

In 1937 he compare New Dynasty City challenging returned pact Calgary, where he bought a chore.

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John Boyko.Bennett: The Rebel Who Challenged and Changed a Nation. Canada: Key Porter Books, 2010. 408 pp. $34.95 (cloth), ISBN 978-1-55470-248-0.

Reviewed by Larry Glassford (University of Windsor)
Published on H-Canada (August, 2012)
Commissioned by Jane Nicholas (University of Waterloo/St. Jerome's)

The Life and Times of R. B. Bennett

"There is more to Bennett than the Bennett buggy" (p. 25). In that simple sentence, John Boyko summarizes his purpose in writing this welcome single-volume biography of Canada's eleventh prime minister, R. B. Bennett. He is appalled that generations of Canadian students are taught to dismiss this remarkable Canadian as a kind of cartoon capitalist whose chief claim to fame is the association of his surname with a horse-drawn, engine-less automobile, disabled by the hard economic times of the 1930s. "The premise of this book," Boyko explains, "is that the consensus about Bennett is fundamentally flawed" (p. 23). With energy and conviction, he sets himself the task of righting a historic wrong.

The author is on solid ground when he notes that "most historians have dealt with Bennett only tangentially, and few have been kind" (p. 24). For instance, John Herd Thompson and Allen Seager, in their treatment of the interwar

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Canadian Journal for Traditional Music (1980)

Neil V. Rosenberg

In Canada, folk instrumental music is most often associated with traditional dancing. The most popular instruments employed for such music — which is often described as "old time music" —are the fiddle and the accordion. The different styles and varying repertoire of Canadian old time music reflect both direct immigration from different parts of Europe and migration within the nation. One phenomenon which sets Canadian folk instrumental music apart from the equally varied styles and repertoires found south of the border is the relatively large number of tune books which have been published for Canadian musicians. Why there should be a large number of these books is not at all certain — no one has asked the musicians or the publishers about this as far as I know. Probably it is a result of the carryover of Scottish and Irish traditions of musical literacy. Another probable factor is the recent popularity of fiddling as commercial entertainment within the context of Canadian country and western music. Moreover, although instrumental music traditions vary considerably within Canada, they share in common a tendency toward the accumulation of a large number of tunes within the repertoire, with the concept