Joseph kesselring author biography outline
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Arsenic and Old Lace (play)
Play by Joseph Kesselring
| Arsenic and Old Lace | |
|---|---|
First edition, 1941. | |
| Written by | Joseph Kesselring |
| Characters |
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| Date premiered | January 10, 1941 (1941-01-10) |
| Place premiered | Fulton Theatre, Broadway |
| Original language | English |
| Genre | Dark comedy |
| Setting | The living room of the Brewster home in Brooklyn. The Present. |
Arsenic and Old Lace is a play by American playwrightJoseph Kesselring, written in 1939. It has become best known through the 1944 film adaptation starring Cary Grant and directed by Frank Capra.
The play was produced by Lindsay and Crouse and directed by Bretaigne Windust, and opened on Broadway at the Fulton Theatre on January 10, 1941. On September 25, 1943, the play moved to the Hudson Theatre, closing there on June 17, 1944, having played 1,444 performances.[1] The West End production – directed by Marcel Varnel and produced at London's Strand Theatre – enjoyed a similarly long run.[2] Opening on December 23, 1942, and closing on March 2, 1946, it totalled 1,337 performances.[3]
Of the 12 plays written by Kes
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Joseph Kesselring
American dramatist
Joseph Otto Kesselring (June 21, 1902 [1] – Nov 5, 1967) was rule out American scenarist who was best become public for longhand Arsenic gift Old Lace, a knock on Street from 1939 to 1944 and sediment other countries as pitch.
Biography
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Arsenic and Old Lace Notes
Joseph Kesselring (June 21, 1902 – November 6, 1967) was born in New York to German-born Episcopalian parents, Henry and Frances Kesselring. The family’s involvement in the church soon led to the discovery of young Joseph’s vocal talent; he became known throughout Manhattan as an outstanding boy soprano, then an outstanding tenor. At age eighteen, the young man received universally positive letters from churches and the New York Singing Teachers’ Association, recommending him for any music teaching position. These letters praised the boy’s “enthusiasm, talent, and experience,” and it seemed he had a bright future ahead, despite his lack of a high school degree or any specialized coursework in either music or teaching. When a distant family connection brought word that a teaching position had opened up for Joseph Kesselring in a Geary, Oklahoma high school, the young man packed up and went west.
After just two years teaching in Geary, Kesselring joined the faculty of Bethel College in Newton, Kansas, a Mennonite institution of higher learning whose strict values were frequently at odds with Kesselring’s own. Compared to the conservative older professors on campus, the suave, self-taught, twenty-year old tenor stood out like a sore thumb, creat