John dowland biography summary template

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    John Dowland

    English composer and lutenist (1563–1626)

    For another person, see John Dowland (RAF officer).

    "Dowland" redirects here. For other uses, see Dowland (disambiguation).

    John Dowland[a] (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

    Career and compositions

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    Very little is known of Dowland's early life, but it is generally thought he was born in London; some sources even put his birth year as 1563. Irish historian W. H. Grattan Flood claimed that he was born in Dalkey, near Dublin,[b] but no corroborating evidence has been found either for that or for Thomas Fuller's claim that he was born in Westminster. One piece of evidence points to Dublin as his place of origin: he dedicated the song "From Silent Night" to 'my loving countryman Mr. John Forster the younger, merchant of Dublin in Ireland'. The Forste

    John Dowland

    John Dowland, (born 1562/63, Westminster, London, England—died January 21, 1626, London), English composer, virtuoso lutenist, and skilled singer, one of the most famous musicians of his time. Nothing is known of Dowland’s childhood, but in 1580 he went to Paris as a “servant” to Sir Henry Cobham, the ambassador to the French court. In 1588 he received a bachelor of music degree from the University of Oxford. His conversion to Roman Catholicism, he believed, caused his rejection for a post as a court lutenist in 1594, and after that disappointment he left England to travel on the Continent. He visited the duke of Brunswick at Wolfenbüttel and the landgrave of Hesse at Kassel and was received with esteem at both courts. His travels also took him to Nürnberg, Genoa, Florence, and Venice, and by 1597 he had returned to England.

    In 1598 Dowland became lutenist to Christian IV of Denmark, but he was dismissed for unsatisfactory conduct in 1606. Between 1609 and 1612 he entered the service of Theophilus, Lord Howard de Walden, and in 1612 he was appointed one of the “musicians for the lutes” to James I.

    Although a respecter of tradition, Dowland worked during a time of musical transition and absorbed many of the new ideas he had encountered on the Continent. His 88 l

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