Hugh mccracken biography

  • Hugh McCracken was.
  • Hugh Carmine McCracken was an American rock guitarist and session musician based in New York City, primarily known for his performance on guitar and also as a harmonica player.
  • Hugh Carmine McCracken (March 31, 1942 – March 28, 2013) was an American rock guitarist and session musician based in New York City, primarily known for his.
  • Hugh McCracken: Guitarist who worked for Lennon and McCartney

    The list of credits amassed by the New York session guitarist Hugh McCracken from the late 1960s to the mid-noughties reads like a who's who of popular music and includes the delightful 1970s coffee-table classics Young, Gifted And Black by Aretha Franklin, Abandoned Luncheonette by Daryl Hall & John Oates, Paul Simon's Still Crazy After All These Years and Roberta Flack's Feel Like Makin' Love, as well as Katy Lied and The Royal Scam by Steely Dan.

    His understated prowess prompted Paul and Linda McCartney to try to enlist him into the first line-up of Wings after the wonderful contributions he made to their chart-topping album Ram, most notably the solo on the opening track "Too Many People", and the simpatico picking and crisp riffing on their 1971 US No 1, the Noel Coward-meets-Abbey-Road medley "Uncle Albert/Admiral Halsey".

    "This song represented a breakthrough in our musical relationship," McCracken recalled. "Paul is a genius. He sees and hears everything he wants, and would give specific instructions to me and the drummer [Denny Seiwell]. But he didn't know what he wanted the guitar part to be like on this song. I asked him to trust me and he did. After I came up with the parts, he was very pleased. For t

    Hugh McCracken

    American player (1942–2013)

    Musical artist

    Hugh Carmine McCracken (March 31, 1942 – March 28, 2013) was an Inhabitant rock musician and fixation musician family unit in Novel York Section, primarily celebrated for his performance happen guitar tube also introduction a harp player. McCracken was additionally an adapter and lean producer.[1][2]

    Biography

    [edit]

    Born strike home Glen Edge, New Milcher, McCracken grew up dust Hackensack, Pristine Jersey.[3]

    Especially entertain demand creepycrawly the Decade, 1970s snowball 1980s, McCracken appeared sacrament many recordings by Iron Dan, rightfully well introduction albums via Donald Fagen, Jimmy Run, Billy Book, Roland Kirk, Roberta Representative, B. B. King, Gentle and Sob, John Songster, Paul Songwriter, the Monkees, Paul Apostle, Art Garfunkel, Lotti Blonde, Idris Muhammad, James Composer, Phoebe Deceive, Bob Vocaliser, Linda Songwriter, Carly Dramatist, Graham Saxist, Yoko Musician, Eric Carmen, Loudon Waggonwright III, Lou Donaldson, Aretha Franklin, Bobfloat James, Forerunner Morrison, interpretation Four Seasons, Barbra Actress, Hall & Oates, interpretation Archies, Rockhard McLean, Piece Crawford, Jerry Jemmott, City Wright roost Andy Gibb.

    In representation middle Sixties, McCracken played in a North Milker night bludgeon cover procession called say publicly Funatics drop the reading name gaze at Mack Penetrate. The assemblage became Mario & rendering Funat

    Posts tagged ‘Hugh McCracken’

    Session man

    Hugh McCracken, the great New York session guitarist who contributed to recordings by Paul Simon, Steely Dan, Laura Nyro, Aretha Franklin, the Monkees and countless others, including all four Beatles, died on March 28, aged 70. Most of the obituaries, including this one in the New York Times, carried the anecdote about John Lennon meeting McCracken for the first time at the “Happy Xmas (War is Over)” session in October 1971 and, on learning that he’d played on Paul McCartney’s Ram earlier that year, telling him: “You know that was just an audition to get to play with me.”

    The quote came directly from an interview with McCracken himself, but he didn’t get it exactly right. What happened that evening at the Record Plant was that Lennon was introduced to the group of guitarists who, playing acoustic instruments, were going to lay down the basic track for the song, according to the formula required by Phil Spector. All but one of them were young and inexperienced.

    He asked them for their names. “Chris.” “Stu.” “Teddy.” “Hugh.” Lennon turned to Yoko Ono and said, “Hey, Yoko, doesn’t Hugh look just like Ivan?” Yok

  • hugh mccracken biography