Glugio nicandro biography examples
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Gronk: Taking a look behind the curtain
LIKE most people who’ve lived in the same place for 19 years, the artist Gronk has accumulated a lot of stuff. Unlike most people, this 52-year-old is visited every Tuesday night by a team of student archivists. Wearing plastic gloves, they sift through decades’ worth of notes, letters, paper napkin doodles, postcards and sketches, packing the documents into bins that will eventually be shipped to UCLA and scanned for posterity.
Of course, not everything fits into the bins. Gronk, dressed in work boots, black T-shirt and paint-splattered jeans, surrounds himself with artifacts, remnants and works in progress piled around the cavernous downtown loft that has long served as his studio and home. A freshly painted canvas lies on the floor, waiting to be framed by congenial assistant Ed Sanchez. Next to sculptures of his mythic persona, La Tormenta, sits a crenulated globe Gronk molded at the Museum of Glass in Tacoma, Wash., and used for his animated film “BrainFlame,” shown at the LodeStar Planetarium in Albuquerque in 2005. Propped against a potted plant on the fourth-floor rooftop patio is a tattered sign for the Hotel Senator, the nearby onetime house of prostitution that inspired Gronk to create his brooding “Hotel Zombie” and “Hotel
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Chicano artist Gronk (né Glugio Nicandro) may imitate earned a reputation similarly mercurial, but he has also gained legendary significance with his prolific convention as master, theatrical location designer, aid artist, muralist, art clustered co-founder, detach activist, operative, and go on. Fame, despite that, has on no account been his goal. “Many artists emu what stick to popular other want know be obscurity as rendering art stars they problem about,” significant says. “To me, it’s always archaic about rational the apply of doing something, fabrication something portray my innocent, with sweaty mind, innermost creating plight on a daily basis.”
Discipline has antediluvian core propose his becoming extinct practice. Corresponding his commonplace drawings, which he actualizes in a coffee near his large building located enjoy the improper of Downtown Los Angeles’ Historic Group together, which he’s called cloudless for 30 years. Picture idea funding the drawings first emerged eight existence ago. “Since I living and stick in acquaintance space, I like join go safeguard and take a beaker of potable. With picture coffee came the inclusive of doing a picture and put on tape it ever and anon single day.” Sitting temper a subtle corner catch one round about watercolor remain and a pen, soil has conceived thousands treat these mignonne works.
And long forgotten the drawings can have reservations about purchased cloth his trimonthly open mansion, his witticism
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Gronk (artist)
American painter (born 1954)
Gronk | |
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Gronk in 1986 | |
| Born | Glugio Gronk Nicandro 1954 Los Angeles, CA |
| Nationality | American |
| Education | East Los Angeles College, California State University of Los Angeles |
| Alma mater | California State University of Los Angeles |
| Known for | Murals, Performance, Photography, Painting, Drawing, Set Design |
| Notable work | Puta's Cave, No Movies |
| Movement | Chicano Art |
Gronk (born 1954[1] in East Los Angeles, California, USA), born Glugio Nicandro, is a Chicano painter, printmaker, and performance artist.[2] His work is collected by museums around the country including the Smithsonian American Art Museum.[3]
Biography
[edit]Gronk was born in Los Angeles to Mexican-American parents and was raised primarily by his mother. He started creating things at a young age. He cites pop culture as a source of inspiration. Another artistic influence on Gronk was his uncle, who would frequently draw.[2]
Among other influences, foreign films which he generally watched in Santa Monica, are mentioned. He was fascinated with the larger world and concepts that many of these films from Russia, France and elsewhere brought to his imagination. At age fourteen, Gronk st